Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts

Saturday, 24 June 2017

"Sea Level" a group exhibition of miniatures 1 July - 27 July 2017

There is something very seductive about holding an exquisite, small work of fine art in the palm of one’s hand and being into that minute jewel-hued space.   SEA LEVEL will explore this......






Organized and Curated by Anthea Martin and  Catherine Stempowski 




ARTISTS PARTICIPATING : Anthea Martin, Catherine Stempowski, Pamela Benporath,
Megan Bonnetard, Marianne Meijer, Camilla Kinnear, Jane Bishop, Estelle Hudson, Stella Beth Peat, Darryl Houghton, Hermine Spies, Lorraine Wilson,  Odette Tolksdorf, Lesley Magwood Fraser, Diane Samson, Jannie van Heerden, Mariek Petzer, Steffi Steffen, Deidre Maree, Chris Reabow, Pauline Maurer, Morgan Coakley, Denise Hill,  Penny Brown, Pascale Chandler, Heidi Shedlock, Ann-Marie Nason, Laurelly Allaway, Grace Kotze, Ewok, Nicole Pletts,
Zamani Makhanya and Katarina Richter

Closing on Thursday, 27 July

Wednesday, 7 June 2017

"Signs of Usage" by Terence King 10 - 29 June 2017


“Signs of Usage”
a solo exhibition by Terence King

10 – 29 June 2017

The exhibition comprises works selected chiefly from two extended series’ undertaken over the past several years. Rooted in observation of the physical environment and of utilitarian implements, the paintings and drawings are related in that they are intended to reflect a world of work – hence usage.

The ways in which the land is shaped by occupation, intervention, geological time, and how mundane objects of domesticity and labour come to take on a quiet monumentality, are central elements in these series.

The painting process itself, that is painterly, loosely layered and excavated brushwork used in combination with detailed, identifiable moments, aims to convey a sense of the multiple histories of familiar places and objects. The objects, mainly tools, containers and the like, and the environments, in this instance the symbol-laden hills of the interior, carry ubiquitous signs of use, such as scarring, demarcation and alteration, and are presented in simple, non-hierarchical compositions.

Friday, 24 February 2017

“Olive Schreiner Revisited” a solo exhibition by Jannie van Heerden 4 - 30 March 2017




Olive Schreiner is best known for her novel: “The Story Of An African Farm”. I grew up in Cradock, Eastern Cape where Olive Schreiner lived as a teenager along with her elder brother and sister and where she worked later as a tutor on the farms: Gannahoek and Klein Gannahoek. In 1921 she was buried on the mountain Buffelskop, just outside Cradock.



As a young boy my father often took me to the Schreiner House, then derelict, where Olive lived with her siblings, and we once ascended Buffelskop to look at her grave. The legend of Olive was always with me and was realised in 2013 with my exhibition at the KZNSA Gallery, Durban: “Olive Schreiner: The Story Of An African Farm”. However in the past few years I felt that I had not done her justice and thus the revisit.



Olive was born on the Wittenberg mission station in 1855. Her first encounter with Cradock was in 1867 when as a teenager she lived with her elder brother and sister in Cross street (now part of the National English Literary Museum). She returned later to serve as a tutor on farms in the district. The landscape and its people left a deep impression upon her, and influenced her famous novel which was published under the pseudonym Ralph Iron, as women were not allowed to publish at that time. Her other best-known works are: “Thoughts On South Africa” and “Women And Labour”, long considered as the bible of the women’s movement. Olive was deeply involved in politics and was a fighter for all the oppressed peoples of South Africa, she was totally opposed to Rhodes and British imperialism.



In 1894 she married Cron, 8 years her junior and they settled on the farm Krantzplaats, Cradock district. She insisted that he took her name and he was known as Cronwright Schreiner. During this time they ascended the mountain Buffelskop, with its breathtaking view across the valley. Olive decided that this was where she wanted to be buried and acquired the plot.



Olive was excessively asthmatic and she soon had to leave the damp riverbeds of Krantzplatts and spent a lifetime searching for a suitable climate for her health, first Hanover, then Kimberley, Johannesburg and eventually Matjiesfontein. Her firstborn child lived for only 9 hours and after that she had 3 miscarriages.



Olive and Cron eventually drifted apart and she left for Europe and England in 1914.  She already knew many influential people there like Havelock Ellis and Eleanor Marx, both who influenced her outlook on life.



Olive returned to Cape Town in 1920. She died in 1921 and was buried in the family crypt. According to her wishes Cron had her body exhumed and buried in 1921 on Buffelskop.



The re-internment on Buffelskop was a very dramatic event. Eight carriers spent 2 days carrying her coffin plus those of her dead child and her dog, Nita, up the hill.

The undertaker schooling built a dome shaped sarcophagus on the pinnacle to take the coffins. According to Olive’s wishes no religious ceremony was allowed. As Cron finished his eulogy an eagle soared across the sky, to paraphrase the “The Story Of An African Farm”: “the dark plumed bird uttered its deep low cry: Immortality”


- Jannie van Heerden   

The exhibition closes on Thursday, 30 March at 4p.m.                                 

Wednesday, 23 November 2016

“Transformation” 26 - 1 December 2016

Artists’ Statement:

As a group of Durban University of Technology (DUT) Fine Art students we began the year with a series of experimentations and explorations and with different materials and expressive depiction of issues which affects us. The collection of work looks at: identity informed by life experiences, human condition informed by emotionality, fragility and ephemerality of life and socio-political issues informed by the #FEESMUSTFALL saga. The interest in non-traditional media is very evident on the selected artworks.

Participating DUT Fine Art students are:
Minenhle Buthelezi
Andy Dlamini
Sithembiso Dube
Bongumusa Shezi

Tuesday, 8 November 2016

"New Beginnings" - a group show by DUT First Year Fine Art Students Opening on Saturday, 12 November at 11a.m.






Participating artists:


Kenneth Shandu, Mfundo Mhlongo, Ncumisa Mcitwa, Yasmien Mackey, Baphile Khuzwayo, Sihle Myeni, Andile Hlengwa, Tebugo Mbhatha, Shamil Balram, Bomikazi Dlava, Mfezeko Gumada, and Deon Brown

Tuesday, 1 November 2016

"Markings" by Rowan Phillips 22 October - 10 November 2016




Biography/Statement



Born and raised in Zimbabwe, Rowan Phillips studied at the Michaelis School of Art in Cape Town, majoring in etching, lithography and typography. He taught Art, worked in design studios and advertising agencies in Zimbabwe and in South Africa. He has exhibited in solo and group shows in his home country, here in South Africa and overseas.


“Texture, line and tone are my space, spirituality and people my passion. The human form is an amazing landscape and vehicle of expression. I have enjoyed exploring the combination of mark-making in the time-honoured way on paper and through photographic and digital means…call it 21st century mixed media. I have always been drawn to the cavernous depths of Rembrandt’s etchings and Kollwitz’s deeply affecting empathy with her subjects, both of them, through the graphic elements which speak to me, saying very profound things about things of the spirit and of the very material world of suffering ”.

The exhibition runs through 10 November at 4p.m.